African diaspora, religion, slavery, brazil, cuba, yoruba, identity
This thesis compares the role of the hybridized religious traditions Candomblé and Santería in the construction of identity for people of color in Brazil and Cuba in the 19th century. In particular, it focuses on the development of these traditions within Catholic confraternities and contrasts the use of ethnic and religious categories within them to define “African-ness” and “blackness” as Brazil and Cuba transitioned from slaveholding colonies to pos t-abolition nationstates. This comparison is illustrated through the examination of each colony’s slave trade and the nature of slavery as it was practiced within them; the analysis of the structure of IberoAmerican Catholic practice and the diverse forms of religious expression which resulted from its interaction with Yorùbá òrìsà worship; comparing each colony’s independence and abolition movements and the racial tensions which followed; and contrasting the Brazilian and Cuban hierarchies of color, including the variety of mechanisms that both the enslaved and free people of color employed to navigate the multi-racial societies in which they lived.
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Martinez Fernandez, Luis
Master of Arts (M.A.)
College of Arts and Humanities
Length of Campus-only Access
Masters Thesis (Open Access)
Arts and Humanities -- Dissertations, Academic, Dissertations, Academic -- Arts and Humanities
Sellers, Allison, "Orisa Tradtion, Catholicism, And The Construction Of Black Identity In 19th Century Brazil And Cuba" (2013). Electronic Theses and Dissertations, 2004-2019. 2849.