fiction, short story, collection, nature imagery, death themes, loss themes, feminism, queer themes
The Edge of Things is what I like to call a love song to the dispossessed. Each of the eight stories in the collection is an examination of the lives of women who are exiled from modern American consumer culture, whether by circumstance or by choice. This separation brings them heartache, risk, and sometimes even hope. The collection is fueled by the landscape of Florida, observed at its most beautiful and most corrupted, from highways, landfills, and trailer parks to housing developments, gardens, and secret forests. Setting is a constant source of revelation, the external landscape offering insight into the internal struggles of the characters. Regardless of age, race, or sexual orientation, the women of The Edge of Things find themselves moving toward, or just past, incredible changes in their lives. In "Seed of the Golden Mango", "Raising the Dead", and "The Girl Who Loved Bugs", young women deal with the loss of loved ones. The women of "Zyczenie", "It Cannot Hold", and "Wasp Honey" must deal with old losses in order to survive the realities of the outside world that they have long ignored. "The Edge of Things" and "The Secret Letters" both deal with love, and the consequences of an inability to communicate. In each of these tales I hope to present unforgettable characters, women whose journeys will haunt, reminding readers that on some level, the love song of the dispossessed calls to us all.
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Master of Fine Arts (M.F.A.)
College of Arts and Humanities
Length of Campus-only Access
Masters Thesis (Open Access)
Koman, Robin, "The Edge Of Things" (2008). Electronic Theses and Dissertations, 2004-2019. 3518.