Mirror, Actor, Journal, Genet, Esslin, Reflection, Fantasy, Reality
Theatre in its most crude, poignant, and honest form exists as the unapologetic mirror of our world. It houses the piercing reflections of mankind's hope, fear, self-doubt, passion, joy, despair, brilliance, destitution, and desire. It becomes the image of all that man hopes to be, yearns to achieve, and knows he has destroyed. Theatrical performance is without equal in its ability to conjure visible truth from the reflection man sees everyday and hopelessly fails to recognize. Ultimately, theatre demands that man see himself without the masks of excuse, ignorance, or makeup. It is the vision of this journey to honor theatre's mask-less demand. Through the development of a multi-scene theatrical performance; the collection and analysis of relevant research material; and the cultivation of a comprehensive journal outlining the processes, the challenges, and the revelations that will travel the same road--from the cluttered moments of conception to the still air of an empty room after an exhausting final bow--only a mirror will remain. Each component--production, research, and journal--will function as equally essential elements. They will illuminate the evolution of fully realized theatre and detail the composition of a common theatrical message: Truth is both the seed of desperation and discovery.
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Ingram, Katherine H.
Master of Fine Arts (M.F.A.)
College of Arts and Humanities
Length of Campus-only Access
Masters Thesis (Open Access)
Bryant, Lisa, "The Mirrored Walls Of Reality:a Journal Of Shattered Reflection" (2006). Electronic Theses and Dissertations. 884.