Keywords

female, musician, music, sociology, qualitative, body, control, roles, kanter, tokenism, token, singers, song writers, instruments, women, inequailty, discrimination, working harder

Abstract

This is an exploratory, qualitative study of female musicians and their experiences with discrimination in the music industry. Using semi-structured interviews, I analyze the experiences of nine women, ages 21 to 56, who are working as professional musicians, or who have worked professionally in the past. I ask them how they are treated differently based on their gender. Three forms of subtle discrimination are inferred from their narrative histories. First, female musicians are mistaken for non-musicians. They are encapsulated into inferior roles, like "the gimmick," "good for a girl," and "invisible accessory." Second, band mates and band managers control women's space, success, and artistic freedom. Third, their femininity, sexuality, and age are highly scrutinized. The analysis implies that female musicians are tokenized, devalued, and considered inappropriate for their jobs. Particular attention is paid to the similarities between female musicians and women in male dominated work places. I conclude by discussing the larger implications for gender, music, and social change in a sexist, unregulated industry.

Notes

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Graduation Date

2006

Semester

Summer

Advisor

Jasinski, Jana

Degree

Master of Arts (M.A.)

College

College of Sciences

Department

Sociology

Degree Program

Applied Sociology

Format

application/pdf

Identifier

CFE0001251

URL

http://purl.fcla.edu/fcla/etd/CFE0001251

Language

English

Length of Campus-only Access

None

Access Status

Masters Thesis (Open Access)

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Included in

Sociology Commons

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