Moneyboys is a novel that explores queer identity in the early 2000s, in the final few years of the height of the American boy band craze. The story's protagonist must reconcile her own identity with what she views as two increasingly opposed goals: to make space for other queer people in turn-of-the-century Tinseltown and to continue getting hers. Her pursuit of these goals, her life outside of the fame machine, and the glossy, holographic, six-packed residents of the internet cause her to forge different versions of realness – an ability to define and embody an idea until it's the truth – for herself, for the band of publicly-closeted and mostly-queer boys she manages, and for the American boy band consumer. Because this is still the turn of the millennium, she's accompanied by hybrid intermissions of morning commute radio, basic cable news tabloids, and IM conversations – none of which makes it any easier for her to discover or remember what is truly real. Though this is, of course, what she must attempt to do.
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Master of Fine Arts (M.F.A.)
College of Arts and Humanities
Length of Campus-only Access
Masters Thesis (Campus-only Access)
Deshaies, Joshua, "Moneyboys" (2021). Electronic Theses and Dissertations, 2020-. 493.
Restricted to the UCF community until 5-15-2026; it will then be open access.