Abstract
The evolution of animation in the United States and its resulting classification varies significantly from its global counterparts. Through a convergence of complex cultural, regulatory, and entrepreneurial influences, the medium's experimental artistic principals have remained firmly rooted in the mass-production style studio pipeline codified by Hollywood. Through the advent of academically centered animation education, the development of the internet, self-distribution, and the growing affordability of industry level hardware and software, the industry has expanded beyond the traditional narrow scope. This re-globalization of entertainment in the United States encourages an auteur approach to animated filmmaking that is challenging the strict association of animation as a children's medium.
Notes
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Graduation Date
2020
Semester
Spring
Advisor
Sung, Stella
Degree
Master of Fine Arts (M.F.A.)
College
College of Arts and Humanities
Department
School of Visual Arts and Design
Degree Program
Emerging Media; Animation and Visual Effects Track
Format
application/pdf
Identifier
CFE0007984; DP0023125
URL
https://purls.library.ucf.edu/go/DP0023125
Language
English
Release Date
May 2020
Length of Campus-only Access
None
Access Status
Masters Thesis (Open Access)
STARS Citation
Knott, Heather, "Ouroboros: The Evolution From Industrialized Mass Production to Auteurism in American Animation" (2020). Electronic Theses and Dissertations, 2020-. 78.
https://stars.library.ucf.edu/etd2020/78
Ouroboros