Keywords

Carmen Miranda, Brazilian Identity, Cultural Representation, Estado Novo, Hollywood, Latin America Cinema

Abstract

This honors undergraduate thesis examines how Carmen Miranda’s performances shaped Brazilian national identity in both Brazilian cinema and Hollywood in the mid-twentieth century. Through film analysis, historical research, and cultural theory, the study examines Miranda’s public persona and the symbolic significance of the Baiana costume, with respect to Brazil’s Estado Novo regime, and Hollywood’s own depictions of Latin America. Overall, it argues that Miranda’s image functioned as a site of cultural negotiation, where Brazilian cultural expression met Hollywood’s exoticizing portrayals, but the encounter did not always stay as a fixed stereotype. The study also examines the tensions between authenticity, commodification, and the wider global reshuffling of national identity through media. In the end, the thesis maintains that Miranda exercised creative agency in shaping international perceptions of Brazilian identity via performance, and that this, should add to scholarship across performance studies, cultural representation, and Latin American media history.

Thesis Completion Year

2026

Thesis Completion Semester

Summer

Thesis Chair

DiLiberto, Stacey

College

College of Arts and Humanities

Department

Department of Philosophy

Thesis Discipline

Latin American Cultural Studies

Language

English

Access Status

Open Access

Length of Campus Access

None

Campus Location

UCF Online

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