The evolution of animation in the United States and its resulting classification varies significantly from its global counterparts. Through a convergence of complex cultural, regulatory, and entrepreneurial influences, the medium's experimental artistic principals have remained firmly rooted in the mass-production style studio pipeline codified by Hollywood. Through the advent of academically centered animation education, the development of the internet, self-distribution, and the growing affordability of industry level hardware and software, the industry has expanded beyond the traditional narrow scope. This re-globalization of entertainment in the United States encourages an auteur approach to animated filmmaking that is challenging the strict association of animation as a children's medium.
If this is your thesis or dissertation, and want to learn how to access it or for more information about readership statistics, contact us at STARS@ucf.edu
Master of Fine Arts (M.F.A.)
College of Arts and Humanities
School of Visual Arts and Design
Emerging Media; Animation and Visual Effects Track
Length of Campus-only Access
Masters Thesis (Open Access)
Knott, Heather, "Ouroboros: The Evolution From Industrialized Mass Production to Auteurism in American Animation" (2020). Electronic Theses and Dissertations, 2020-. 78.