The Passion For Order. Virtual Convergences In The Allegorical Linealismo Of Two Angels &Amp; A Holy Archbishop &Amp; In The Theological Symbolism Of The Calderonian Auto Sacramental

Keywords

Allegory; Mural painting; Order; Symbolism; Theatre

Abstract

The passion for order that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence between the allegorical linealismo visibly present in the Roman mural paintings of the region of Castile and León in Two Angels and a Holy Archbishop of anonymous artist found in the Hermitage of the Vera Cruz de Maderuelo, Segovia, of the twelfth century Spain, and the implied significance of the symbolism represented in the scenic sketches of the auto sacramental The Immunity of Consecrated Ground by Pedro Calderón de la Barca written in the early modern Spain.

Publication Date

1-1-2017

Publication Title

Hipogrifo

Volume

5

Issue

1

Number of Pages

233-247

Document Type

Article

Personal Identifier

scopus

DOI Link

https://doi.org/10.13035/H.2017.05.01.15

Socpus ID

85020894998 (Scopus)

Source API URL

https://api.elsevier.com/content/abstract/scopus_id/85020894998

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