ORCID

0000-0001-7178-8438

Keywords

Margaret Atwood, A Handmaid's Tale, post truth, literary criticism

Abstract

Fictional narratives, like the recent Hulu adaptation of Margaret Atwood’s 1986 dystopia novel A Handmaid’s Tale and the original novel, offer a way to explore real anxieties people face in the age of post-truth politics and the Trump presidency. More specifically, these two texts are worth exploring in relation to Trump’s misogynistic comments and the current assault on women’s rights. Both the television series and book blur the lines between fiction and reality. The loss of women’s rights in the television series and novel mirrors real fears some women today face about losing their reproductive rights in the United States. Kenneth Burke’s theory of dramatism and his discussion of terministic screens provide a useful framework to analyze how language reflects and shapes attitudes towards truth and women’s rights in the new adaptation of A Handmaid’s Tale.

Publication Date

2018

Document Type

Paper

Language

English

Publication Version

Pre-print

Rights

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

College

Academic Affairs

Location

Orlando (Main) Campus

Department

Libraries

Accessibility Status

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