Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard

Creator

• Barry J. Mauer, University of Central FloridaFollow

Keywords

Sampling, Film, archiving, curating, rock and roll, electronic media

Abstract

John Rajchman asks, “In what ways have exhibitions, more than simple displays and confi gurations of objects, helped change ideas about art, intersecting at particular junctions with technical innovations, discursive shift s and larger kinds of philosophical investigations, thus forming part of these larger histories?” This essay attempts to answer his question by discussing curating as whole text sampling.

Publication Date

3-2014

Original Citation

Mauer, Barry. "Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard." Sampling Media, Oxford University Press, Editors: Laurel Westrup, David Laderman, pp.60-72

Document Type

Book Chapter

Copyright Status

Publisher retained

Publication Version

Pre-print

Comments

Mauer, Barry. "Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard." Sampling Media, Oxford University Press, Editors: Laurel Westrup, David Laderman, pp.60-72. Reproduced by permission of Oxford University Press https://global.oup.com/academic/product/sampling-media-9780199949311?cc=us&lang=en&

College

College of Arts and Humanities

Location

Orlando (Main) Campus

Department

English

STARS Citation

Mauer, Barry J., "Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard" (2014). Faculty Scholarship and Creative Works. 604.
https://stars.library.ucf.edu/ucfscholar/604