Keywords
Sampling, Film, archiving, curating, rock and roll, electronic media
Abstract
John Rajchman asks, “In what ways have exhibitions, more than simple displays and confi gurations of objects, helped change ideas about art, intersecting at particular junctions with technical innovations, discursive shift s and larger kinds of philosophical investigations, thus forming part of these larger histories?” This essay attempts to answer his question by discussing curating as whole text sampling.
Publication Date
3-2014
Original Citation
Mauer, Barry. "Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard." Sampling Media, Oxford University Press, Editors: Laurel Westrup, David Laderman, pp.60-72
Document Type
Book Chapter
Copyright Status
Publisher retained
Publication Version
Pre-print
College
College of Arts and Humanities
Location
Orlando (Main) Campus
Department
English
STARS Citation
Mauer, Barry J., "Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard" (2014). Faculty Scholarship and Creative Works. 604.
https://stars.library.ucf.edu/ucfscholar/604
Comments
Mauer, Barry. "Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard." Sampling Media, Oxford University Press, Editors: Laurel Westrup, David Laderman, pp.60-72. Reproduced by permission of Oxford University Press https://global.oup.com/academic/product/sampling-media-9780199949311?cc=us&lang=en&