Keywords

Maya, classic period, iconography, protectors, tikal lintels

Abstract

Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. An example of this mutability can be witnessed in the depiction of Otherworld gods. Maya gods were not like Old World pantheons; gods were fluid and could function in multiple roles. Protector gods are an example of the fluidity of Maya deities. Scenes of protector gods are closely related, indicative of a specific theme and meaning. This thesis aims to define a specific iconographic theme, centered around a “protector,” based on the similarities of the composition of each scene in the sample set of images found on monuments. In conjunction with archaeological evidence and epigraphy, I suggest the protector theme depicts deities in the role of a protector

Notes

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Graduation Date

2012

Semester

Spring

Advisor

Chase, Arlen

Degree

Master of Arts (M.A.)

College

College of Sciences

Department

Anthropology

Degree Program

Anthropology

Format

application/pdf

Identifier

CFE0004220

URL

http://purl.fcla.edu/fcla/etd/CFE0004220

Language

English

Release Date

May 2012

Length of Campus-only Access

None

Access Status

Masters Thesis (Open Access)

Subjects

Dissertations, Academic -- Sciences, Sciences -- Dissertations, Academic

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Included in

Anthropology Commons

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