In this thesis body of work, I focus on the implied human presence through the lack of actual human figures. I believe there is more to say in a landscape with the absence of the figure, allowing the dialogue to be read and interpreted by a larger audience. I am particularly satisfied with White Knuckles, shown in figure 3, because I collide reason with imagination, thus contradicting the context and interpretation of the subject matter. In White Knuckles, I deal with formal elements such as composition, atmosphere, lightness and darkness as well as nuances of color. I have also considered the emotive impact the painting could reflect to the viewer, specifically feelings of tension and unease. The placement of the viewer outside the picture plane was carefully considered to suggest the audience is a participant in the suggested narrative. I often strive to create an ambiguous moment, reflecting feelings of uncertainty and apprehension. Like White Knuckles, my body of work employs unexpected narratives to reveal some of the uncomfortable truths of our human experience. I am interested in exploring the relationship between the mundane and the abnormal in the paintings, a feeling that could be described as a "suburban nightmare."
Master of Fine Arts (M.F.A.)
College of Arts and Humanities
School of Visual Arts and Design
Emerging Media; Studio Art and the Computer
Length of Campus-only Access
Masters Thesis (Open Access)
Sobrack, Ericka, "The Suburban Nightmare: A Study of Atmosphere, Mood and Emotion" (2019). Electronic Theses and Dissertations, 2004-2019. 6319.