Keywords

Liberation, Identity, Culture, sexual expression, suppression, oppression

Abstract

In this thesis, I explore my artistic practice, which confronts the institutionalized cultural norms that control women's identity and sexuality in rural Kenya. Utilizing self-portraiture, my work serves as a mirror, reflecting on my own identity and experiences growing up in Kenya. In some of the artworks, I subvert these restrictions, reclaiming my place both physically and metaphorically. My studio practice encompasses drawing, painting, installation, and fiber arts. Inspired by my culture, my work questions the balance between cultural tradition and personal identity. I use various materials, including charcoal, fabric, oil paints, pastels, and bleach. Through my art, I invite viewers into a broader conversation on the liberation and autonomous expression of women, compelling them to question and ultimately redefine the boundaries imposed upon them by their cultural spheres.

Completion Date

2024

Semester

Spring

Committee Chair

Colon Mendoza, Ilenia

Degree

Master of Fine Arts (M.F.A.)

College

College of Arts and Humanities

Department

School of Visual Arts and Design

Degree Program

Emerging Media and Studio Art

Format

application/pdf

Identifier

DP0028385

URL

https://purls.library.ucf.edu/go/DP0028385

Language

English

Rights

In copyright

Release Date

May 2029

Length of Campus-only Access

5 years

Access Status

Masters Thesis (Campus-only Access)

Campus Location

Orlando (Main) Campus

Accessibility Status

Meets minimum standards for ETDs/HUTs

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Restricted to the UCF community until May 2029; it will then be open access.

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