Abstract

Popular films in the Soviet Union were the products of the implementation of propagandistic messages into storylines that were both ideologically and aesthetically consistent with of the interests of the State and Party apparatuses. Beginning in the 1930s, following declaration of the doctrine on socialist realism as the official form of cultural production, Soviet authorities and filmmakers tailored films to the circumstances in the USSR at that given moment in order to influence and shape popular opinion; however, this often resulted in inconsistent and outright contradictory messages. Given the transformation that gender relations were undergoing in the early stages of development, one area that was particularly problematic in Soviet cinema was the portrayals of women. Focusing primarily on the Stalinist period of the Soviet History (1934-1953), I plan to look at the ways in which women were portrayed in popular Soviet cinema and specifically the ways in which these presentations shifted before, during, and after World War II.

Notes

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Thesis Completion

2012

Semester

Fall

Advisor

Solonari, Vladimir

Degree

Bachelor of Arts (B.A.)

College

College of Arts and Humanities

Degree Program

History

Subjects

Arts and Humanities -- Dissertations, Academic;Dissertations, Academic -- Arts and Humanities

Format

PDF

Identifier

CFH0004312

Language

English

Access Status

Open Access

Length of Campus-only Access

None

Document Type

Honors in the Major Thesis

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