Discovering the postmodern graphic novel in the works of Alan Moore

Abstract

Alan Moore's graphic novels mark a shift in the way graphic novels are read, written, and studied. This thesis explores what makes his novels compelling and see what examples of postmodern thought occur in Moore's construction of human sexuality and modem culture. Additionally, it examines graphic structures to see how pictures and words impact every level of the text. It investigates three of his more established novels: From Hell, Lost Girls and Watchmen. Secondary sources come from a diverse background of philosophical, literary, psychological, and artistic theory. This study implements these sources to decipher Moore's work by finding similar moments in the different texts and construct a possible model for the postmodern graphic novel and argues that Moore should be considered one of the major contributors and innovators to the medium of graphic novels.

Notes

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Thesis Completion

2009

Semester

Fall

Advisor

Campbell, James

Degree

Bachelor of Arts (B.A.)

College

College of Arts and Humanities

Department

English

Degree Program

English

Subjects

Arts and Humanities -- Dissertations, Academic;Dissertations, Academic -- Arts and Humanities

Format

Print

Identifier

DP0022404

Language

English

Access Status

Open Access

Length of Campus-only Access

None

Document Type

Honors in the Major Thesis

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