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Performing Arts Graduate Theses and Dissertations

Theses/Dissertations from 2007 2007

Sweat: The Exodus From Physical And Mental Enslavement To Emotional And Spiritual Liberation, Aqueelah Roberson

Not Quite The Ingenue: The Development Of The Middle-aged Female Character In Musical Theatre, Tara Snyder

Defining A Character Through Voice Quality: An Analysis Of The Character "george" In Sondheim And Lapine's Sunday In The Park With George Using The Estill Voice Model, Michael Swickard

Revitalizing "the Rocky Horror Show" Through Gospel Music, Kip Taisey

Discovering My Artistic Voice Through The Stage Adaptation Of Winners Don't Quit, Evelyn Tyler

Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance, Julia Winstead

Design: Feel It, See It, Speak It, Do It..., Sarah Yates

Theses/Dissertations from 2006 2006

The Mirrored Walls Of Reality:a Journal Of Shattered Reflection, Lisa Bryant

Anton Chekhov:the Characterization And Interpretationof A Historical Figure For The Stage, Alan Gallant

The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi, Matthew Hamner

A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin

A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison

Moby Dick! The Musical: A Travesty In Travesti, Rebecca Johnson

Moliere And Commedia Dell'arte:past, Present, And Future, Nicole Klass

The Resurrection Of Everyman, David Knoell

Anthony Newley: An Actor's Analysis Of A Musical Theatre Legacy, Christopher Layton

Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner

Tya Methodology Twentieth-century Philosophy, And Twenty-first Century Practice: An Examination Of Acting, Directing, And Dramatic Literature, Allen McCoy

A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Patrick Moran

Mistress Quickly In The Merry Wives Of Windsor: A Performance Monograph, Paula Rossman

A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Rockford Sansom

The Chorus: A Line To Cross, Marco Santiago

Portraying Pointillism: An Actress's Journey Through Pointillism To Define The Role Of Dot In Sondheim And Lapine's Musical Sunday in the Park with George, Chris Staffel

Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick

Theses/Dissertations from 2005 2005

Stephen Sondheim's Gesamtkunstwerk: The Concept Musical As Wagnerian Total Theatre, Diana Louise Calderazzo

The Mind Of A Sadomasocist:a Theatrical Role Analysis Of Orin Scrivello D.D.S, Mark Catlett

Protestant's Guide To Catholic "Nunsense": A Performance Study And Analysis Of "Sister Mary Hubert", Anita Endsley

Theses/Dissertations from 2004 2004

Mikado Lighting Design, Adrienne M. Becker

The Merry Wives Of Windsor: A University Actress's Approach To The Role Of Mistress Ford, Brook Akya Hanemann

Il Pazzia D'innamorati: A Commedia Dell'arte, Jennifer Hart

The Challenge Of Playing Multiple Arthurian Characters, Cynthia Lowa