Theses/Dissertations from 2006
Moby Dick! The Musical: A Travesty In Travesti, Rebecca Johnson
Moliere And Commedia Dell'arte:past, Present, And Future, Nicole Klass
The Resurrection Of Everyman, David Knoell
Anthony Newley: An Actor's Analysis Of A Musical Theatre Legacy, Christopher Layton
Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner
A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Patrick Moran
Mistress Quickly In The Merry Wives Of Windsor: A Performance Monograph, Paula Rossman
A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Rockford Sansom
The Chorus: A Line To Cross, Marco Santiago
Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick
Theses/Dissertations from 2005
Stephen Sondheim's Gesamtkunstwerk: The Concept Musical As Wagnerian Total Theatre, Diana Louise Calderazzo
The Mind Of A Sadomasocist:a Theatrical Role Analysis Of Orin Scrivello D.D.S, Mark Catlett
Protestant's Guide To Catholic "Nunsense": A Performance Study And Analysis Of "Sister Mary Hubert", Anita Endsley
Theses/Dissertations from 2004
Mikado Lighting Design, Adrienne M. Becker
The Merry Wives Of Windsor: A University Actress's Approach To The Role Of Mistress Ford, Brook Akya Hanemann
Il Pazzia D'innamorati: A Commedia Dell'arte, Jennifer Hart
The Challenge Of Playing Multiple Arthurian Characters, Cynthia Lowa