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Theses/Dissertations from 2007

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Discovering My Artistic Voice Through The Stage Adaptation Of Winners Don't Quit, Evelyn Tyler

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Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance, Julia Winstead

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Design: Feel It, See It, Speak It, Do It..., Sarah Yates

Theses/Dissertations from 2006

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The Mirrored Walls Of Reality:a Journal Of Shattered Reflection, Lisa Bryant

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Anton Chekhov:the Characterization And Interpretationof A Historical Figure For The Stage, Alan Gallant

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The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi, Matthew Hamner

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A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin

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A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison

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Moby Dick! The Musical: A Travesty In Travesti, Rebecca Johnson

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Moliere And Commedia Dell'arte:past, Present, And Future, Nicole Klass

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The Resurrection Of Everyman, David Knoell

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Anthony Newley: An Actor's Analysis Of A Musical Theatre Legacy, Christopher Layton

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Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner

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Tya Methodology Twentieth-century Philosophy, And Twenty-first Century Practice: An Examination Of Acting, Directing, And Dramatic Literature, Allen McCoy

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A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Patrick Moran

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Mistress Quickly In The Merry Wives Of Windsor: A Performance Monograph, Paula Rossman

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A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Rockford Sansom

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The Chorus: A Line To Cross, Marco Santiago

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Portraying Pointillism: An Actress's Journey Through Pointillism To Define The Role Of Dot In Sondheim And Lapine's Musical Sunday in the Park with George, Chris Staffel

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Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick

Theses/Dissertations from 2005

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Stephen Sondheim's Gesamtkunstwerk: The Concept Musical As Wagnerian Total Theatre, Diana Louise Calderazzo

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The Mind Of A Sadomasocist:a Theatrical Role Analysis Of Orin Scrivello D.D.S, Mark Catlett

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Protestant's Guide To Catholic "Nunsense": A Performance Study And Analysis Of "Sister Mary Hubert", Anita Endsley

Theses/Dissertations from 2004

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Mikado Lighting Design, Adrienne M. Becker

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The Merry Wives Of Windsor: A University Actress's Approach To The Role Of Mistress Ford, Brook Akya Hanemann

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Il Pazzia D'innamorati: A Commedia Dell'arte, Jennifer Hart

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The Challenge Of Playing Multiple Arthurian Characters, Cynthia Lowa