What We Have Lost/What We Have Gained: Embodied Interfaces For Live Performance And Art Exhibitions
Keywords
Art; Embodiment; Gesture; Interface; Musical instrument; Tangible; Video
Abstract
This paper examines the use of embodied interface design in experiential systems sculpture for art exhibitions, using the piece What We Have Lost/What We Have Gained as an example. Looking at musical instruments and MIDI devices for live electronic music performance as a starting point led to developing an interface that allows for more expressive physical gestures, and in turn functions in the area of interactive art. This paper demonstrates how HCI can be applied to and included within art disciplines to increase engagement with the artworks by transforming viewers into participants, players, and co-creators.
Publication Date
5-7-2016
Publication Title
Conference on Human Factors in Computing Systems - Proceedings
Volume
07-12-May-2016
Number of Pages
289-292
Document Type
Article; Proceedings Paper
Personal Identifier
scopus
DOI Link
https://doi.org/10.1145/2851581.2889460
Copyright Status
Unknown
Socpus ID
85014711284 (Scopus)
Source API URL
https://api.elsevier.com/content/abstract/scopus_id/85014711284
STARS Citation
Mosher, Matthew, "What We Have Lost/What We Have Gained: Embodied Interfaces For Live Performance And Art Exhibitions" (2016). Scopus Export 2015-2019. 4367.
https://stars.library.ucf.edu/scopus2015/4367