Gender, Vulgarity, And The Phantom Debates Of Chaucer'S Merchant'S Tale
Abstract
Chaucer's Merchant's Tale has long been criticized for its apparently disjunctive themes and style, yet by reading it as a series of five debates concerning gender and marriage, its organic unity comes into sharper focus. The primary sections of the tale-the marriage encomium, Justinus and Placebo's argument, May's wedding night, the mythological interlude of Pluto and Proserpina, and the tale's fabliau resolution-each highlight various aspects of the classical and medieval debate tradition, as they also foreground considerations of male and female desires within the marital realm. A sixth debate emerges in Chaucer's metatextual construction of the pilgrims' varying views of gender and marriage. As the masculinist arena of debate is regendered through the tale's unfolding, its fabliau humor envisions a world in which women can debate as persuasively as men-even through their silence.
Publication Date
1-1-2017
Publication Title
Studies in Philology
Volume
114
Issue
3
Number of Pages
473-496
Document Type
Article
Personal Identifier
scopus
DOI Link
https://doi.org/10.1353/sip.2017.0017
Copyright Status
Unknown
Socpus ID
85027464982 (Scopus)
Source API URL
https://api.elsevier.com/content/abstract/scopus_id/85027464982
STARS Citation
Pugh, Tison, "Gender, Vulgarity, And The Phantom Debates Of Chaucer'S Merchant'S Tale" (2017). Scopus Export 2015-2019. 7268.
https://stars.library.ucf.edu/scopus2015/7268