Keywords
Art, religion, gender, transgender, transsexual, catholic
Abstract
My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally develop environments that both attract and repulse the viewer in order to mimic the relationship I have with Catholicism and Gender Issues.
Notes
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Graduation Date
2012
Semester
Summer
Advisor
Raimundi-Ortiz, Wanda
Degree
Master of Fine Arts (M.F.A.)
College
College of Arts and Humanities
Department
Visual Arts and Design
Degree Program
Emerging Media; Studio Art and the Computer
Format
application/pdf
Identifier
CFE0004431
URL
http://purl.fcla.edu/fcla/etd/CFE0004431
Language
English
Release Date
August 2012
Length of Campus-only Access
None
Access Status
Masters Thesis (Open Access)
Subjects
Arts and Humanities -- Dissertations, Academic,Dissertations, Academic -- Arts and Humanities
STARS Citation
Robertson, Corey, "The Immaculate Condemnation" (2012). Electronic Theses and Dissertations. 2238.
https://stars.library.ucf.edu/etd/2238
Included in
Interdisciplinary Arts and Media Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Religion Commons