Keywords
objectification theory, dancers, disordered eating
Abstract
This study tested a model of objectification theory proposed by Fredrickson and Roberts (1997) as it applies to disordered eating in a sample of dancers and non-dancers. The methods in this study are based on a previous test of objectification theory done by Tiggeman and Slater (2001). Two samples of participants were given a survey to measure self-objectification and its anticipated consequences. The first sample included 155 women who participated in either ballet, modern, jazz, or hip-hop dance. The second sample included 199 women enrolled in undergraduate classes at the University of Central Florida during the fall semester of 2004. Participants in the two samples did not score differently on the measure of self-objectification. However, dancers scored significantly higher on the self-surveillance, body shame, appearance anxiety, flow, awareness of internal body states, and disordered eating measures than the non-dancers. None of the proposed mediating variables were found to mediate the relationship between self-objectification and disordered eating in either sample.
Notes
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Graduation Date
2005
Semester
Spring
Advisor
Jasinski, Jana
Degree
Master of Arts (M.A.)
College
College of Arts and Sciences
Department
Sociology and Anthropology
Degree Program
Applied Sociology
Format
application/pdf
Identifier
CFE0000424
URL
http://purl.fcla.edu/fcla/etd/CFE0000424
Language
English
Release Date
January 2008
Length of Campus-only Access
None
Access Status
Masters Thesis (Open Access)
STARS Citation
Duesterhaus, Megan, "When Life Really Is A Stage: A Test Of Objectification Theory Using Dancers And Non-dancers" (2005). Electronic Theses and Dissertations. 309.
https://stars.library.ucf.edu/etd/309