Abstract

I consider the experiences of past generations of women in my family and my relationship to them. This body of work began with Bessie, a portrait of my father's mother. I painted it after attending her funeral. I did not have a meaningful relationship with either of my grandmothers. This led me to consider my right to portray them. My need to admit my incomplete memory and avoid the objectification of my subjects caused me to question my perspective. I wanted to memorialize these women to avoid their erasure. Through the progressive abstraction of these women's figures, I chase an honest representation of my understanding.

Notes

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Graduation Date

2016

Semester

Spring

Advisor

Raimundi-Ortiz, Wanda

Degree

Master of Fine Arts (M.F.A.)

College

College of Arts and Humanities

Department

Visual Arts and Design

Degree Program

Emerging Media; Studio Art and the Computer

Format

application/pdf

Identifier

CFE0006072

URL

http://purl.fcla.edu/fcla/etd/CFE0006072

Language

English

Release Date

5-15-2016

Length of Campus-only Access

None

Access Status

Masters Thesis (Open Access)

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Included in

Painting Commons

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Accessibility Statement

This item was created or digitized prior to April 24, 2027, or is a reproduction of legacy media created before that date. It is preserved in its original, unmodified state specifically for research, reference, or historical recordkeeping. In accordance with the ADA Title II Final Rule, the University Libraries provides accessible versions of archival materials upon request. To request an accommodation for this item, please submit an accessibility request form.