Abstract

The British media discourse evolved during the first two years of World War II, as state narratives and censorship began taking a more prominent role. I trace this shift through an examination of newspapers from three British regions during this period, including London, the Southwest, and the North. My research demonstrates that at the start of the war, the press featured early unity in support of the British war effort, with some regional variation. As the war progressed, old political and geographical divergences came to the forefront in coverage of events such as Prime Minister Chamberlain's resignation. The government became increasingly concerned about the grim portrayals of the Dunkirk Evacuation in the press, as Britain's wartime situation deteriorated. I argue that as censorship and propaganda increased, newspapers fell into line, adhering to state narratives and uniting behind a circumscribed version of the events that molded a heroic presentation of Dunkirk. Censorship from the government came in various forms, often utilizing softer methods such as the control of information flow and warning publications, which complied in order to appear patriotic and avoid further suppression. My analysis of these papers indicates that this censorship and unity of the press continued during coverage of the Blitz, as the media discourse became more cohesive and supportive of the government's goals.

Notes

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Graduation Date

2019

Semester

Fall

Advisor

Lyons, Amelia

Degree

Master of Arts (M.A.)

College

College of Arts and Humanities

Department

History

Degree Program

History

Format

application/pdf

Identifier

CFE0007794

URL

http://purl.fcla.edu/fcla/etd/CFE0007794

Language

English

Release Date

December 2019

Length of Campus-only Access

None

Access Status

Masters Thesis (Open Access)

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